Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth.

A psychological drama about a young father, a promising athlete, a mixed martial arts fighter, who works tirelessly to achieve success, which is the main reason for the disagreement between him and his estranged wife. He is faced with a difficult dilemma. He must choose between career and family. To find out if he is the person he always wanted to be. Or is he just a dreamer who sacrifices the most precious thing for his vain ambitions

Unemployed and recently dumped, Daniel spends his days eavesdropping on his roommate who works from home as a therapist. He soon develops an obsession with one of her clients, a ruggedly masculine divorcee with explosive anger issues.

A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.

Complications arise when family and friends gather for a gay couple's backyard wedding.

The story of the NHL in the 1950's, focusing on the battle between the players, led by Hall of Famer Ted Lindsay, and the owners, over issues of benefits and pensions. A dramatization based on the true story from the book of the same title.

Taylor is a man who has no problems with women. So confident is he that he accepts a challenge from his friends: he has to secure proposals of marriage from three women of their choice.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

A deep dive into the Bosnian War, that tore the country apart at the dawn of the 1990s, A Life’s Worth explores with intensity the unimaginable dilemma faced by the peacekeepers sent to the region, unable to intervene in a conflict that was beyond their control. A gripping series and a much-needed look back at one of the most violent wars in recent European history, prompting an essential discussion about the weight of commitment, interventionism, and the cost of peace.